Archive for the 'Shows' Category

Cut Copy vs. The Presets Co-Headling Tour!

My two favorite bands from Australia named after things you have or do on your computer are coming to the States for a dual headlining tour guaranteed to knock your SOCKS OFF.

Tickets are now on sale at ticketbastard, so get ‘em while they’re still available, because this is the dance party you are going to kick yourself if you miss. Resonator is going to have a lot of coverage of these guys coming at you in the lead up to Hacks and me attending the NYC shows, so stay tuned!

Cut Copy

The Presets

Dates:

SAT 9/13 - Monolith Festival - Denver, CO
MON 9/15 – The Record Bar - Kansas City, MO
TUES 9/16 - Fine Line Music Cafe- Minneaplis, MN
WED 9/17 - Metro - Chicago, IL
FRI 9/19 Sound Academy - Toronto, Ontario
SAT 9/20 - Club Soda - Montreal, Quebec
SUN 9/21 - Webster Hall - New York City, NY
MON 9/22 - Webster Hall - New York City, NY
TUE 9/23 - Paradise - Boston, MA
THURS 9/25 – The Trocadero Theater - Philadelphia, PA
FRI 9/26 9:30 Club - Washington D.C.
SAT 9/27 Masquerade - Atlanta, GA
MON 9/29 - Emo’s Alternative Lounge - Austin, TX
TUES 9/30 - Granada Theater - Dallas, TX
FRI 10/3 – The Glass House - Pomona, CA
SUN 10/5 - Mezzanine - San Francisco, CA
TUES 10/7 - Hawthorne Theater - Portland, OR
WED 10/8 - Showbox At The Market - Seattle, WA
THURS 10/9 - Commodore Ballroom - Vancouver, B.C.





Black Ghosts at Studio B Tonight!

Its more Black Ghosts times!

Tonight, come play “spot Trixie and Hacks at the Black Ghosts show”! (hint, we’ll both be dancing our asses off and odds are they’ll be a bunch of people watching us do so).

Black Ghosts @ Studio B
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The Black Ghosts - I Want Nothing (Jack Beats’ Miami Vice Remix)
LINKS: Jack Beats | More By Jack Beats





The Other Night Fred Falke Saved My Life

Fred Falk - Live @ Tribeca Grand NYC

I meant to put this out on Sunday, and then my title would have been more “Last Night blah blah blah” but I’m lazy and swamped with work and blah blah blah, so oh well.

Saturday night played host to Hacks his new friend Toba taking a trip to Tribeca Grand and dancing till the lights came on while one bearded deejay/bass player named Fred Falke rocked the crowd. But wait, I should tell this story properly. See it all started with this:

Toba: “Hey, let’s hang out”
Hacks: “Ok, I’m going to see Fred Falke tonight, wanna go”
Toba: “Who’s that?”
Hacks: “This really good deejay/producer”
Toba: “Ok”

And there we have it! Thus began a night of epic proportions sprouting from those elegant and powerful words. Well, it didn’t quite begin then..

We had to traverse our way to the Tribeca Grand first, spend an (even-for-manhattan) excessive amount on a couple drinks while one solid opener (David P) and one not so solid opener (the other guy) got the crowd warmed up to the night.

Then comes Fred Falke, looking all in the world like he just finished watching a football game in the corner pub, ready to rock out the crowd.

I danced. From start to finish. Until the lights came on and my sweat drenched body was protesting (Seriously kids, I was so sweaty my shirt was dripping water on the floor). He opened with a live bass performance, proceeded to destroy things with a 3 hour, trigger finger controlled Ableton set, and then winded the night down with another live bass performance before the lights finally came on and everyone scurried like rats to GTFO.

It was the best night of dancing I’ve had in a long long time. In fact, I danced so hard, I couldn’t even stop to talk to the cute girl with the red headband next to me. Ah well.

And now, here’s the mega post. Because I doubt half of you even read the above anyway:

I distinctly recall “Sanctuary” from Saturday.. it totally got my 5th wind kicked in and desrves to be the first track you listen to.

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Fred Falke - “Sanctuary” (128)
LINKS: Purchase 320s From Beatport

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Eric Prydz - “Pjanoo (Fred Falke Remix)” (128, Promo Rip)
LINKS: Purchase 320s From Beatport | Eric Prydz

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Bodyrox Feat. Luciana - “Yeah Yeah (Fred Falke Vocal Mix)” (128)
LINKS: 320 From Beatport | 12″ From Juno | Body Rox

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Roland Clark and The Montanas - “Music Talking (Fred Falke Remix)” (128)
LINKS: 320 From Beatport | DJ Roland Clark

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Ladyhawke - “Back Of The Van (Fred Falke Ultimate Beverly Mix)” (320)
LINKS: 320s From Beatport | Ladyhawke

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Hot Chip - “Colours (Fred Falke Remix)” (VBR)
LINKS: Purchase From Amazon | More Hot Chip Remixes

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Kris Menace & Felix da Housecat Feat. Fred Falke - “Artificial (Original Mix)” (320)
LINKS: 320s From Beatport | Kris Menace | More By Kris Menace

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Menace & Adam - “Missile Test (Fred Falke Remix)” (320)
LINKS: 320s From Beatport

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VHS Or BETA - “Burn It All Down (Fred Falke Remix)” (320)
LINKS: VHS or BETA | Other VorB Remixes

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Rihanna & Fred Falke - “Please Don’t Stop the Music & 808pm @ The Beach (Them Jeans Blend)” (320)
LINKS: Them Jeans

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Fred Falke Mix Up on Triple J 29-03-2008 (Radio Rip)
Thanks to Waves at Night for the Triple J set.

Be sure and look more released on Juno, or on Beatport.

Happy Wednesday?

< hacks / >





Things you should be doing this weekend

So here we go kids, 2 things you should make an effort to do this weekend if you’re in the NYC area.

First off, Resonator Favorite Lismore is playing along with one of my personal favorite remixers Hatchmatik @ Club Europa. Lismore is totally fun to see live; rocking it out and tearing it down with wild abandon and never seeming to disappoint. Hatchmatik is, well, awesome.

Previously posted on Res, but for your continued listening enjoyment:

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Lismore - “More”

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Rails To Russia - “Turning Into You (Lismore Remix)”

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Lismore - “We Never Strike in One Place Twice”

And lets not forgot the jewels Hatchmatik has given us:

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Enur Ft Natasha - “Calabria 2007 (Hatchmatik Clubabria Remix)”

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Thunderheist - “Bubblegum (Hatchmatik Birdflu in June Remix)”

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Hatchmatik - “Burn It Down (Hatchmatik’s Burn Down the Club Remix)”

Famous Friends - Hatchmatik/Lismore

Then on Saturday, Atlanta’s Dance-Pop-Synth-Sensation Blue Screen Love Scene make’s their NYC debut at the first (of many) Less Than Three shows. All your friends will be here, so you mine as well show up and claim “I was there”.

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Blue Screen Love Scene - “Cheetah Belly”

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Blue Screen Love Scene - “Scientist”

Plus here’s a remix I’ve been working on. Figured I’d bury it at the very bottom of this post!

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Blue Screen Love Scene - “Perfumery (Hacks Remix)”

Less Than Three!

< hacks />





Time will tell…TOMORROW

Wordsmiths Books, in Decatur, GA, has done a phenomenal job pairing literature and music.

Tomorrow (Monday, March 24th), though, they’ve outdone themselves, joining forces for the second time with southern lit-scene blog BabyGotBooks to pair the sweeping, pain-swept landscape of Hillary Jordan’s debut novel Mudbound with the similarly rural, achingly pretty sounds of Athens/Decatur junkyard soul trio Hope For AGoldenSummer.

I’ll leave it to the Wordsmiths blog to extol the virtues of Jordan’s novel, and I daresay that the last time I penned anything about the three ladies in Hope For Agoldensummer, I said nearly all I possibly could:

Together, Page Campbell, Claire Campbell and Deb Davis call themselves a “junkyard soul trio”, but they’re actually so much more. This is music that’s definitively southern, definitely rural, and reminiscent of a folk-art angel singing her heart out. At times, the territory tread by Hope For Agoldensummer is equal parts Cormac McCarthy and Flannery O’Connor with weaponry provided by Nick Cave-the sort of songs that hold knives behind their backs, lingering in sweetness just long enough to unveil the darkness lingering ‘neath. Other times, the songs are southern field gospel revivals, celebrating the sweaty southern pastures of life and love.

Then, though, the song was “4th Night”, an aching back-seat ode to the always-inevitable morning after.


Hope For Agoldensummer: Old Questions

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In celebration of tomorrow, though, comes the jaunty, schoolyard-rhyme that is the closing moment to the sweepingly pretty Ariadne Thread album, “Old Questions”. Opening with the sound of a form of pattycake, Page, Claire and Deb pose the questions that make up the song’s title-questions on the nature of tried-and-true love. This song sounds dusty, sounds aged, sounds love-worn and rough around the edges, a little hazy as though the night’s just beginning.

And it’s wonderfully infectious, the perfect cap to the album’s darker moments and the perfect summation of the joy the ladies in Hope For Agoldensummer bring to their voices, their instruments, music itself.

There’s really no excuse to miss BGB Vol II tomorrow night at Wordsmiths, with Hillary Jordan, the Wayne Fishell Experiment and Hope For AGoldensummer.  Stuff gets started at 7:30 P.M. It’s a rare all-ages show, in Decatur, for free, with free drinks and with those gorgeous voices.





Reformat the Planet– The Movie

So… It’s getting to be that time of year again, where the Res kids tell you about all the cool shit to check out at SxSW because, well, we’re not going.*** This year is a great year at the old Austin festival because it’s going to be chiptunes madness.

That’s right– not only are the lovely 8 Bit Peoples going to be hosting a showcase, but the movie (yes, MOVIE!) about the Blip Festival is going to be playing at the film festival. Featuring all of my favorite chiptunes artists, Bit Shifter, Nullsleep, glomag, Bubblyfish and loads of other musically brilliant nerds, it is going to be THE must-see movie of the festival… What I’m saying is take a break from dancing your ass off and GO SEE THE DAMNED MOVIE.

As if you needed more convincing, here is the trailer for Blip Festival: Reformat the Planet:


BLIP FESTIVAL: REFORMAT THE PLANET trailer from 2 Player Productions on Vimeo.

And in case you just need full length choons to carry ’round with you, here’s the namesake track of the movie by NYC-based Bit Shifter:

Reformat The Planet — Bit Shifter

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Yes, that track’s great… But my favorite, and I think SORELY underappreciated of the Shifter’s tracks is the self-titled off of the “Information Chase” EP. The symphonic hold breakdown is enough to make college girls the world over have Garden State-like make-out moments… Well, provided that they’re cool enough to dig on Gameboy music.

The Information Chase — Bit Shifter

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***Res doesn’t go to SxSW because we are too damned old to be drunk and sleepless for a week. Just ask Shaun about his old Winter Music Conference days. But while YOU are down there, make sure and get your chiptunes on AND check out our darling Loren Hynde’s party over at the Planetary Group bbq– we hear there is soy meat and hardcore (the guitar kind, not the electronic kind).





When books and music collide: a happening

Our friends over at Wordsmiths Books have apparently decided not to let up in 2008. After opening the largest independent bookstore in the state of Georgia last year, they quickly forged a path of combining the worlds of various media-books, music, film-and have played host to, honestly, a handful of the best and most memorable performances Atlanta’s seen in recent memory (Final Fantasy was a stand-out, as was One Hand Loves The Other, and let’s not forget the Res birthday bash with Lismore).

Now, apparently not content to horde their little black book, Wordsmiths Books has joined forces with the BabyGotBooks blog-what Gawker would be if it had a little more heart, a little less to drink, actual book reviews and a slightly southern accent-to present *gasp* an actual, honest-to-god reading series in Atlanta. The two combined forces are launching BabyGotBooks Reading Series: BGB Vol I.this Wednesday, Jan 23rd, with Rolling Stone writer Rob Sheffield reading from his memoir of love-via-mixtapes called, fittingly, Love Is A Mixtape. Post-Rob, Atlanta rockers and Res faves The Swear (who, you may recall, Hacks and myself accidentally fell in love with when we showed up way too early for a Subways show) will play set after Rob reads, there’s the promise of free drinks, free coolness and, frankly, the fact that this sort of thing is finally happening in this city is cause enough to celebrate.

As such, I’ve wrangled Tim, head honcho over at BabyGotBooks, to drop a little knowledge on y’all about what it is that’s being accomplished by the intersection of reading and rocking (the two “r”s, along with, well, look at our name…):

If you’ve been a music fan for any appreciable length of time, chances are there are a number of songs that have become hopelessly and permanently associated with specific people, places, and times. For me, the sound of Johnny Marr’s fuzzy opening notes to How Soon is Now will always instantly transport me back to my freshman year of college where the song featured prominently in the background to all sorts of shenanigans. (For the record: I’m old, but the song wasn’t brand new, even back then.) Music, while it can be appreciated alone, is ultimately best enjoyed with a group, whether the focus is specifically on the music or not.

Literature, on the other hand, tends to be solitary. Unless you’re listening to an audio book, you must retreat somewhere alone to enjoy a good book. The best books can be passed around, shared, and discussed, but only after each person goes off and enjoys it alone. Very rarely will two people be seen reading the same book at the same time and pausing to jump up and give each other high fives. “This is AWESOME man.” As much as it should happen, it just doesn’t.

It’s interesting to me that as much as music is shared and universally enjoyed, books about music almost always get it wrong. I think that the problem lies in the specifics. If you write about the coolest music ever, no matter how convincingly, somewhere along the way we’re going to disagree. Probably right about when you start talking about OK Computer. Despite the universal-ness of music, the reasons for our enjoyment of specific songs is still unique to the individual and deeply personal.

Rob Sheffield’s book Love is a Mix Tape gets at the heart of what it is that can make music transcendent. Each chapter of the book begins with the copied insert from a cassette mix tape that he and his wife mad for one another at various times during their relationship. In spite of Sheffield’s street cred as a writer/contributing editor for Rolling Stone, there are some dubious selections here. (Um, Hall and Oates?) In the context of this book, however, the questionable choices can and should be overlooked for the larger point that the book makes.

Sheffield’s wife died unexpectedly of a brain aneurysm just as they were beginning their lives together. A box of tapes that Sheffield is left with provide a conduit for memory, serve as a time machine to a happier past, and ultimately aid healing. The book is really a love letter to the remarkable power of music.

Which is a roundabout way of saying that I hope that you’ll be able to join us for the very first event of the Baby Got Books which will feature Rob Sheffield reading from his remarkable book. Following the reading will be live music from The Swear . The reading will be held at Wordsmiths Books in Decatur, GA (Google Maps). Wordsmiths is located just off Decatur Square and is one block from the Decatur MARTA station. The evening is FREE, and FREE drinks will be provided. If you don’t have the book yet, be sure to support our favorite indie book store by picking up a copy of the book there. Did we mention that the evening is free?

If you make it to the reading, be sure to say find me and say hello.

Thanks for having me over!

Gracias, Tim…but that’s not all, oh no, that’s not all.

Our good friends The Swear have done us the favor/honor of leaking us (without threat of retribution via court or jail!) the first song ready from their forthcoming 2008 album. As such, we’re presenting a kinda-exclusive here, with the newly-polished “History Of Cinema”:

The Swear: History Of Cinema

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And, folks, there you have it. A convergence of the literary and musical worlds, a realignment of the stodgy feelings of book readings, a perspective on why Reading Series’ matter, and something for you to do Wednesday night if you’re in Atlanta. Also, a new Swear song. In my book, there’s not much better.





Yesterday fever, tomorrow St Peter

It would be relatively simple to proclaim Final Fantasy’s too-brief, strikingly intimate in-store appearance yesterday afternoon at Wordsmiths Books as, simply, the most moving show I’ve taken in this year.

Or maybe that would just make sense to those 30 or so who were there-the soaring, swooping orchestration that is Owen, his voice, his violin and his loops of both, put in the confines of a bookstore with high ceilings and a lovely echo.

To those lucky few, by god it was freakin’ magic.

The folks at Wordsmiths have yet to begin recording a single freaking thing, despite their continuous pull of massive A-list musical talent, so instead of being able to present you with a recording from Owen’s closing song yesterday, his massive, emotional version of Beirut’s “Cliquot”, instead all I can give you is the best that my Youtube scouring has uncovered-something from somewhere that wasn’t Wordsmiths:

Try to not get chills.

(His version of “Peach, Plum, Pear” stopped my heart.)

For more photos, check Wordsmiths’ blog. If you weren’t there and you’re reading Res, you probably can’t feel authentic emotion anyway, so no worries.





White Rabbits in the ATL

White Rabbits!
Resonator favorites White Rabbits are playing at the Earl tonight. Their album lends themselves perfectly for being an awesome live performance so you kids here should try and check it out.

My personal track to rock an indie-rock dance floor is “The Plot” and I’d say its easily my favorite track on the album:

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White Rabbits - “The Plot”

So check them out! Tickets are still available via Ticket Alternative, but I think it should be good at the door as well. Check out more via the White Rabbits Music website (and stream lots of tracks from their music page or via their RabbitSpace

<hacks/>





Talkin sweet and lookin fine

Canada’s Owen Pallet aka Final Fantasy aka friend of our beloved SparklyWolf is one of those in Camp Troubadour that never really got the attention he should have from me. In fact, I recall Hacks and I, a few years back, watching the video for “This Is The Dream Of Win And Regine” excitedly (particularly at the ill-fitting indiemotive “this is real rock” scream that comes from nowhere other than Owen’s overflowing heart as the song ends), only to discover his full catalog to be a bit, um, offputting, where “offputting” means “not at all expecting low-fi garage violin baroque”.

Flash forward to now, when I am obviously raging against the dying of the pretty, getting to a point where every mention of Dude’s Dance Party causes my most-immediate claws-n-fangs reaction (and, NO, “claws-n-fangs” is NOT the name of some new Simian side project, though I’ll sell you that one for free), and Owen’s pretty, lo-fi but highly technical soaring strings are like a salve. Time= perspective, folks, time=perspective.

Anyway, again our friends at Wordsmiths Books in Decatur (that’s Georgia, you Sufjanians) have nailed down an ideal indie in-store for their high-ceilings and marble marvelousness-next Tuesday, November 6th, at 4 P.M. The shin-dig is free, all-ages and probably going to be very much an intimate sort of thing, so getting there early to snap up some free parking is highly recommended.

Since everyone, including Southern Voice and Wordsmiths own blog, seems to be painting with the palette of Pallett (ooh, journo high five! HIGH. FIVE.!), I thought I’d decorate your Friday afternoon with a few choice Final Fantasy tunes.

Final Fantasy: Your Ex-Lover Is Dead

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There’s a lot of love, both spoken and silent, aroundabout these parts for Stars. Their first album didn’t shake our roof, but the new one is absolutely splendid, and certain to be a part of any 2007 top whatev. This is from Do You Trust Your Friends, the collection that involved Stars handing out turns at their Set Yourself On Fire tunes. Pallett wraps himself around and into the original album’s kickoff track, keeping that so-necessary sample and actually using it to (pardon the pun, I don’t want this and neither do you) fire up the whole song. It’s a bit more lush than what you may expect from Owen’s studio stuff under the FF moniker, but it’s that much better for it.

Final Fantasy: Fantasy (live Mariah Carey cover)

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Can I tell you how awesome this is? Oh, no need, you’re going to click out of sheer curiosity and then just fall, droolingly maddeningly deeply in love with the way Owen treats Mimi’s TomTom-snatching original with coolhighharmonious bliss.

This would be as opportune of a time as any for my plea to bring Mariah back to acceptable cool-there was a great remix of “Emotions” that surfaced early last year, and it made some small-ish round, but, really, “Daydream”, “Fantasy” (partic the ODB version, whose part here, unfortunately, is not played by one Patrick Wolf), “Emotions”…that was some good, good stuff.

If you need a touch of the orchestral, again: Final Fantasy at Wordsmiths Books, 141 E Trinity Place in Decatur, GA next Tuesday (the 6th of Nov) at 4 P.M.

 Final Fantasy’s myspace.