Author Archive for trixie

Massive Cheaptoon Update

Oh, hai guise… Ok, ok, ok. First of all, I’m not going to do the usual “…trixie shows up and apologizes for not posting for three months” thing because, honestly, I’ve been busy working on my life long dream of being the female, short, blonde, American version of Tony Wilson, and that’s why you haven’t seen me in awhile. I’m still working hard bringing people new music, I’ve just kind of limited my scope to the “live” and “NYC” part of that job. You guys wouldn’t believe how hard it is to jump on to Res and write a post after sending ten thousand emails to coordinate people playing shows or after a successful show with a few beers in my stress-related-ulcerated stomach.

BUT… The “day job,” as they’re called because it’s what you DON’T want to do and not because of the time it takes place, has ended and I am doing the “making cool stuff happen” thing full time, so now I have the chance to come back to you guys with some really sick music. In the spirit of my new position at The Tank, NYC’s stronghold for 8-bit, here’s a whole slew of chip music that I’ve been enjoying this summer.

First off, trash80’s absolutely brilliant Icarus EP has been the soundtrack to this summer– lush, sexy, sundrenched Balearic-bit for those who dream of an alternate reality Ibiza where Nullsleep and Bit Shifter hold court like Sasha and Steve Lawler once did at Space. Like all 8bitpeoples releases, it is free for download and sharing under Creative Commons, so follow that link and grab it.

Despite technical difficulties as a result of him overpowering the house system during his set at May’s Pulsewave, he kicked off my summer with an ear to ear smile stretched across my sweaty face. Here’s 2Player Productions’ rather disorienting video of “Missing You” from that night:


Trash80 @ Pulsewave in NYC, 05.24.08 (1/1) from 2 Player Productions on Vimeo.

Though “Missing You” seems to be the universally sanctioned hit from the release, “Sodium Sonet” is actually my favorite.

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Sodium Sonet Extended - trash80

On the other side of the spectrum from trash80, I’ve been digging the 8bit + sparkling speedcore hybrid side project of industrial artist Aliceffekt. Called MALICE, it’s the sonic equivalent of grinding metal against metal to shoot dazzling sparks– one part hard and savage bass line to one part silver-filigreed synth lead, it’s definitely an exciting first entry into chiptunes and I’m looking forward to how this project progresses (as well as a super-secret OTHER side project of lush, melody-driven IDM that Resonator will probably be lucky enough to preview in the coming months).

MALICE

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Malice - L
(Note: The ID3 tags for this release come up with a bunch of Japanese stuff, so you may not be able to find it in iTunes by typing “MALICE.” To preserve the integrity of what the artist wants, however, I didn’t change the ID3 tags. Go blame them.)

MALICE is also available for free here. I definitely recommend downloading the entire album, as each track is mixed into the other so it’s hard to really listen to one on its own without hearing the tail end/beginning of another.

And finally– Argentina’s 8GB is pure, full on, hands in the air dance-till-you-can’t-move insanity. If you missed his set at Pulsewave’s 2nd Birthday back in March where his set rocked so hard that he caused a black-out, here’s a sample of what you can expect when he returns this month! (More on that coming later in the week– look out for it, because it’s going to be BONKERS!)


8GB live @ Pulsewave - New York - march 2008 (8/9) from Kiken Corporation (????) on Vimeo.





Much Praised Chiptunes “Artist”, Laromlab, Outed As Plagiarist

It’s always sad when an artist lifts part of someone else’s track without acknowledging them, but when an “artist” steals all of his music (ALL OF IT) wholesale from other artists, gets signed with it to a label, and then tours on it, it’s downright disgusting. How utter asshole Laromlab managed to get away with passing off the great tracks of YM Rockerz for so long is appalling.

His former label, Mushpot Records, has pulled “his” record from sales and he’s been outed by CMJ, but it comes as quite a shock that I haven’t seen any information about this on too many other blogs, especially one of our favorites, Missingtoof, who posted some of his ripped off tracks just a few months ago and are normally so on top of stuff.

Laromlab has issued a deluded apology claiming that it takes guts to own up to doing something wrong, but the guy didn’t own up to anything. He was caught red handed and then lied again to a collaborator, claiming that the one track he used with Kentucky Prophet was actually his when it wasn’t.

Mushpot records has posted a list of the artists who ACTUALLY made the music. Might I recommend a little Crazy Q to start your weekend off right?





We’re Running Out Of Beatles

It almost feels absurd to write this, given the “Paul is Dead” hysteria of the ’60s, but it looks like recent divorce drama has finally done in the puppy-dog-eyed boy from Liverpool who couldn’t get enough love songs.

I know that we’ve made a pledge not to write about any RIAA artists, but I think that when a piece of pop music history dies, certain provisions have to be made.

I’m not even sure what else I can say about this right now.

And the last one standing:





Royal Chains Tomorrow Night at the Tank!

My favorite band of the year is playing a very special, super intimate show tomorrow night at my favorite venue in the city, and you should be there. If you manage to spot me, I’ll even buy you a beer– since the Tank has the cheapest beer in Manhattan.

Details:

The Royal Chains
(With The Beards and Butterflies)
Thursday March 13, 2008
9pm doors / $6 / ALL AGES

New track, “Villainy,” from their live show a few weeks ago, to give you a little taste:

Villainy (Live) — The Royal Chains

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The Royal Chains at the Tank





When She’s Off, She Sleeps Right Through the Day

Alright, Resonator-ers! I’m back with some pretty special stuff– the Royal Chains have been so kind as to give me advance files of their finished masters for their forthcoming 7″, as well as some tracks that won’t be available on vinyl, and I am bringing it all to you lucky kids before it hits the merch table at their next show.

Their crowd favorite, “Crime Scene” is the lead single and it sounds great on record– but I have to say it is the parallel to Franz Ferdinand’s “This Fire.” Sure, it sounds good on your iPod, even approaching favorite status, but the energy these guys put into the track live just cannot be captured in a studio. If you dig this track at all you owe it to yourself to get to their next show (and Resonator will keep you abreast of when that is, of course).

Crime Scene — The Royal Chains

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“No Love in Your Punches,” which I’ve featured before, gets a great clean up in the studio and will see the b-side of the 7″, but my absolute favorite of the recorded tracks is “Girl On Fire.” Lead vocalist Adam Roddick’s just-barely tape-slipped vocals are, in and of themselves, an argument for the continuation of analogue production. Add to that the Beatles-worthy lead guitar and you’ve got an equally as hot contender for first single.

Girl On Fire — The Royal Chains

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Keep your eyes here for updates about their forthcoming live shows in March.





Reformat the Planet– The Movie

So… It’s getting to be that time of year again, where the Res kids tell you about all the cool shit to check out at SxSW because, well, we’re not going.*** This year is a great year at the old Austin festival because it’s going to be chiptunes madness.

That’s right– not only are the lovely 8 Bit Peoples going to be hosting a showcase, but the movie (yes, MOVIE!) about the Blip Festival is going to be playing at the film festival. Featuring all of my favorite chiptunes artists, Bit Shifter, Nullsleep, glomag, Bubblyfish and loads of other musically brilliant nerds, it is going to be THE must-see movie of the festival… What I’m saying is take a break from dancing your ass off and GO SEE THE DAMNED MOVIE.

As if you needed more convincing, here is the trailer for Blip Festival: Reformat the Planet:


BLIP FESTIVAL: REFORMAT THE PLANET trailer from 2 Player Productions on Vimeo.

And in case you just need full length choons to carry ’round with you, here’s the namesake track of the movie by NYC-based Bit Shifter:

Reformat The Planet — Bit Shifter

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Yes, that track’s great… But my favorite, and I think SORELY underappreciated of the Shifter’s tracks is the self-titled off of the “Information Chase” EP. The symphonic hold breakdown is enough to make college girls the world over have Garden State-like make-out moments… Well, provided that they’re cool enough to dig on Gameboy music.

The Information Chase — Bit Shifter

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***Res doesn’t go to SxSW because we are too damned old to be drunk and sleepless for a week. Just ask Shaun about his old Winter Music Conference days. But while YOU are down there, make sure and get your chiptunes on AND check out our darling Loren Hynde’s party over at the Planetary Group bbq– we hear there is soy meat and hardcore (the guitar kind, not the electronic kind).





Presets Return And Not A Moment Too Soon

Ok, not to sound like Shawn and bitch about how there’s no good music coming out, because I’m sure that there is… It’s just not finding me. I’m so stuck in local-land these days that everything I listen to is someone’s demo that they won’t let me post on Res.** In any case, I’ve had a jones for something dark, floor destroying, and twisted, and my favorite boys from Australia have delivered with a sick new single.

Julian and Kim have topped previous stomper “I Go Hard, I Go Home” with “My People,” but it’s definitely in the same vein– a blow out the subs, lose your mind sonic equivalent of a strobe light.

My People — The Presets

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While the original is definitely my favorite, I have to say that the disjointed, all over the place, kitchen sink DIM remix definitely has a time and a place.

My People (DIM Remix) — The Presets

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It’s good to see that they’re just getting better and better. I can only hope this heralds a forthcoming new album in the next, oh, five minutes because I’m definitely hungry for this stuff. Download the EP at eMusic.

**HELLO, PEOPLE– LET me post your demos. You WANT people to come and see you, right?

Note: While we know that many Modular records are distributed in the US by Interscope, we found no evidence of any affiliation with this particular release to an RIAA sanctioned label or distributor. If you do, please let us know and we’ll remove this post immediately. Thanks! — The Resonator Management





The Royal Chains

I’ve got three local artists up my sleeve that I think the world should be listening to in ‘08 and today I bring you the first– NYC based boys The Royal Chains have blessed Resonator with some fresh-out-of-the-studio tracks from their forthcoming EP.

The Chains craft bittersweet love songs from 60’s melodic pop sensibilities and au currant angst and neuroses. Guitarists and song-writers Adam Roddick and Ivan Malfa-Kowalski are the Davies brothers of the 21st century. Malfa-Kowalski’s Rickenbacker riffs are pure British Invasion while Roddick’s rhythm borrows heavily from early 90’s grunge, making for songs that are immediately familiar but off-kilter and beg for another listen (and another and another). The scathing disenchantment of Roddicks lyrics off-set by syruppy, cooing back up vocals are as perfectly balanced and insidious as a stiff gin and tonic. “Her faith was less than true but you still dug her,” he snarks on “No Love In Your Punches”, “you’ll dig her till your grave is deep enough for you.”

No Love In Your Punches — The Royal Chains

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Roman Radio — The Royal Chains

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If you check out their site you can hear also hear “Girl on Fire.” The Royal Chains will be playing in NYC at Pianos on Tuesday, January 8th and at the Annex for their Club NME night on Thursday, January 10th. I highly recommend seeing them in action while you can still say you saw them when.





Resonator Resolution

Well, now that the hangovers have subsided, the pressure to do a best-of list has evaporated into too-late apathy, and I’ve finally moved all of my stuff into a new apartment, it’s time to let you know what our resolution for 2008 is here at Resonator. As the Recording Industry Association of America becomes more and more Draconian, we have made the decision to not cover, in any way, any artist that RIAA Radar has slapped a warning label on.

Since we’re obvious supporters of reform, casting our own New Year’s Resolution, we will use the data for the most recent release of an artist to determine if they are safe or not. We’re not going to punish people who have reformed and are on better labels or going the road themselves, even if they were on the worst of the big boys before.

Our reasons for doing this are many, but the overriding factor is that we believe that the only way to prove, once and for all, that blog and music site coverage is actually a boon to an artist rather than a hindrance is to take that coverage away. We invite and support all other sites to do the same this year, to take away the free marketing and advertising for which we are scolded, threatened, and even sued and fined. If you’re going to join us, drop us a line in the comments and we’ll make sure to add you to our blog roll of RIAA-free sites.

Here is to a New Year and to supporting those artists and labels who are operating outside of the RIAA. May it be the best year for music yet!





Inquiring Minds: Q+A with the Black Ghosts

I’m not normally a fan of putting up straight question and answer interviews, but mine and Hacks’ recent email exchange with the other Simian spin-off was just too perfect not to put up as is, Theo’s ALL CAPS answers and all. Here’s what Theo and Simon had to say on the Simian world takeover, the blog-o-sphere, and Hacks wanting their babies:

Trixie: The Black Ghosts sound decidedly different from the other spin-off of Simian, SMD, but a lot closer to the original band. Simon, did you intend to do a sort of disco reincarnation of Simian or is it coincidental?

Simon: It wasn’t intentional at all. I was the singer/songwriter for Simian and now for the Black ghosts so i guess the songs of both bands have my mark on them. My voice and the way i write melodies, harmonies and lyrics are quite distinctive so there are big similarities between the two.

Tx: Given the current atmosphere of dance-pop music with the squelches and really hard, nasty filtered stuff that’s going on with the whole Ed Banger/Kitsune/Ecler o’Shock sound being so huge do you feel like you have more of a challenge to connect with listeners? (Woo! Run on sentence, sorry.)

Sm: I guess some of the trendy kids that just listen to that distorted stuff might think we’re not cool enough but for us it’s more important to make solid tunes that’ll last and not sound dated in 6 months. We want to write great pop songs that are memorable beyond how fucked-up the bass sounds.

Tx: When Simian broke up, did you guys all conciously decide you were going to take over the world, or did it just happen?

Sm: Yeah we sat down in our pentagram and did a blood-letting ceremony and then scattered ourselves on the 4 winds to take over the mortal world, ha ha ha ha ha haaaaa!…. Not really, but one of the reasons Simian broke up was because there was so many ideas flying around that it was always a struggle to fit them all in, so it was inevitable that splitting up Simian would result in a splurge of musical output.

We’re all still good friends and are enjoying each others success.

Tx: Why are The Black Ghosts lyrics so angry and fucked up while being layered over these blissful pop, balearic-tinged beats? Are you trying to mess with our heads? Is it a reaction to the happy-go-lucky vocals that are layered over nasty beats, like in so many Justice or SMD tracks? Simon, are you heartbroken or just projecting?

Sm: Part of it is a reaction to the inane lyrics usually used in dance music, ‘oooh baby, make me dance,1234, yeah yeah yeah, sweat, love, shake it oooh’ etc. I just see it as lazy and unadventurous, there’s no reason that lyrics in dance music can’t be more interesting and tell proper stories. People can dance and think at the same time…hmmm maybe not!? But yeah i am heartbroken and i’m projecting, i figure whilst i’m still an angry young man i’ll make the most of it, there’s plenty of time for ‘mature’ songs about peace and sunny days.

Tx: What can we expect from you guys in the new year? A full scale US tour? And will you still be doing the long-form DJ + vocals sets when you do a US tour, or a “live” set that’s short and sweet? Maybe both on the same night? (Please?)

Sm: At the moment we’re enjoying doing the mutant DJ + vocals live set, sometimes it’s long form, sometimes condensed and features more ‘live’ elements. We’ll definitely be back in the US in the new year, not sure what sort of tour yet but the shows all went down really well out there so we’re looking forward to coming back. We haven’t got any plans to do a ‘full live’ show yet but if the albums a success expect to see us travelling about with a full robot orchestra.

Hacks: If you got into a break dance fight with SMD, who would win?

Theo: US EASILY. ALTHOUGH JAMES’ (of Simian Mobile Disco) HAIR IS A NATURAL CRASH HELMET FOR HEADSPINS.

Sm: i think Theo would be really handy cause he was a hip-hop kid, I remember James being quite nifty but he’s fucked his shoulder up so i reckon we’d have the upper hand… though Jas (also of Simian Mobile Disco) would probably throw in a wild card with his robot moves and then i’d wow the crowd with my river-dance moves!

Hk: Deejaying vs. live performance: what’s the difference for you guys? Or is there one?

Th: LIGHTER BAGS, LESS HANGING AROUND IN VENUES ALL AFTERNOON LISTENING TO SOMEONE HITTING A SNARE DRUM REPEATEDLY, NOT HAVING TO EAT HAM AND CHEESE AND PEANUTS AND DRINK WARM BEER AFTER A 5 HOUR DRIVE… NO IT CAN BE A LAUGH PLAYING LIVE, BUT DJING IS MORE FUN. OUR DJ SET IS PART LIVE ANYWAY - SIMON SINGS AND DOES LIVE EFFECTS / EDITS ETC.

Hk: How has the US response to your music been vs. other countries? Is it more/less, different, or pretty much the same?

Th: TOO EARLY TO SAY. WE’VE YET TO TAKE THE GHOSTS TO ANYWHERE ELSE PHYSICALLY, BUT IN THE VIRTUAL WORLD THE STATES ARE IN THE LEAD - WE’VE HAD LOTS OF REALLY GOOD FEEDBACK FROM THE US.

Hk: Do you feel like mp3 blogs and your fans taking on viral marketing strategies independently have helped you guys? What do you think about your music being posted on blogs?

Th: BLOGS CAN BE GREAT, ESPECIALLY FOR REMIXES AND ALTERNATIVE VERSIONS ETC. ALTHOUGH IT CAN GIVE THINGS A DISPOSABLE FEEL SOMETIMES - SOME OF THE BLOGS HAVE A 2 SECOND ATTENTION SPAN IT SEEMS AND A DESPERATION FOR NEW STUFF TO WAVE IN THEIR COMPETITORS FACES. BUT SOME HAVE BEEN VERY SUPPORTIVE OF OUR STUFF.

Sm: We both regularily use blogs to hear new tunes and see what people are up to. The industry is moaning about people not buying music anymore but the blogs are letting people hear much more music than before and that is the important thing… the money men will catch up sometime and we’ll all be rich.

Hk: Did you know that there’s a ring of blogs participating in “hype-jacking” (several blogs coordinating post times so that an artist is on the front of Hype machine for an entire week) your music? (And that we’re one of them?)

Th: NO ALTHOUGH IT DOESN’T SEEM THAT OUTRAGEOUS. OBVIOUS REALLY.

Sm: yeah i had noticed some blogs co-ordinating their posts, didn’t realise that was the reason though… power to the people!

Hk: Finally, can I have your babies… Or just do some exclusive remixes?

Th: HE WANTS OUR BABIES? DON’T THINK SCIENCE HAS TACKLED THAT ONE YET, ALTHOUGH ARNOLD SCHWARZENEGGER DID A DOCUMENTARY ABOUT IT ONCE DIDN’T HE?

Sm: Yeah please take em, their incessant wailing keeps on messing up my vocal takes.

(The Black Ghosts’s EP Anyway You Choose to Give It is available for download now on iTunes and to put in your hot little hands from I Am Sound.)